by Currado Malaspina

BY CURRADO MALASPINA

Friday, January 13, 2017

IMPECCABLE ETHICS


As we've all come to lament, with one little tweet an entire career can come to ruin.

My #sad friend David Schoffman has learned this the hard way.

After years of toil and tireless dedication, somehow the president-elect's diabolic scope trained its malevolence upon my unassuming comrade and derailed his stock in the art world. 

It started years before the election when Schoffman was a young apprentice groping toward stardom during the turbulent 1980's. He met il Duce at a Starn Twins opening at Leo Castelli. If you knew David in those days you'd know that in the service of his insatiable ambition he could turn on his charm like a halogen.

They hit it off immediately. 

An untutored collector of gaudy baubles and glittery trinkets the Don made an exception with Schoffman. After visiting his Hoboken studio the vicar of steaks, foreign golf courses and midtown real estate purchased no fewer than eighteen half-baked neo-expressionist canvases.

Schoffman, oil on canvas, 1981


When several years later, David shocked the public with a poorly timed stylistic volte-face, Donald stuck by him with an almost blind sense of loyalty.

Schoffman, encaustic on paper, 1986

Thanks to his powerful patron, Schoffman weathered the critical fallout and watched his star steadily rise.

Then came the election. 

Like most reasonably intelligent people, regardless of their political stripes, David looked skeptically upon the candidacy of such an unfiltered political novice. Remembering his early debt, he remained quiet with his reservations. 

When the polls closed and the die was cast Schoffman suddenly realized that he would soon have a collector in the White House!

Little did David know that the prudent president to be was already two steps ahead of him. 

Fearing that his brand would be tainted by its proximity to contemporary art, Trump took the extraordinary step of placing Schoffman's work in a trust so blind that even the Russians would have a hard time locating it.

When David voiced his modest and well-founded concern for the potential curatorial availability of his work (Schoffman has two mid-career retrospectives scheduled in the very near future), the reaction was swift and unabashed.


Might Alec Baldwin pick up the slack?

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